装置南京长江大桥计划自杀干预艺术治疗吊古
选择拍摄柏林的18个著名的雕塑，如腓特烈大帝像、马克思像、洪堡雕像等。拍摄阳光下这些雕塑落在地面的投影，依据这个投影的图形，用厚实的黑色天鹅绒制作成每个190x550cm的剪影图形，悬挂在世界文化宫展厅朝西的玻璃幕墙上，布满整个墙面。
有阳光的时候，从下午开始，这些剪影图形在地面制造出日光投影，并随太阳的高低而发生长短变化。
雕像拍摄的时间影响了雕像的投影的长短形象，观者到达展厅的时间也决定着他所看到的展厅地面的影子的形状。二者都是不确定因素。雕像和它的投影都成了日晷。
在这面玻璃幕墙中部。正对展厅入口阶梯的位置是一个水泥浇筑的结构体，倾斜支撑着整个世界文化宫建筑的支柱。在上面悬挂一个LCD牌子，如同雕像底座上的铭文，把这个水泥结构变成一个不可见的雕像的底座。LCD牌子面板为不锈钢，不断递减跳动的数字显示的是“公元5000年倒计时”。
vagabond now visible, now hidden; now appearing, now disappearing
Those photos of 18 famous sculptures were selected from Berlin, such as sculptures of FriedrichⅡ,Max and Wilhelm von Humboldt The silhouettes of their shadows which were taken under the sun have been made by heavy black velvet. They are hanging on the whole glass wall that faced towards west in the exhibition hall of the world culture centre.
When there’s sun, beginning from the afternoon, those silhouettes project shadows that would vary by the height of the sun.
The time that sculptures were filmed affected the length of the images. The time that the visitors arrive also influences the shape of the shadow which they see on the ground. Both are uncertain factors, the sculptures and its shadows all become the sundial.
In the middle part of the glass wall, the pouring of cement that faced directly to the exhibition entrance inclined supports the whole architectural structure of the W.C.C. On the top of it, there’s a LCD plate just like the inscription on the base of the sculptures that turn this pouring part into an invisible pedestal. The LCD plate was made of stainless steel. The continuous decreasing number displays countdown of 5000 D.C.