摄影， Slideshow
2002 圣保罗双年展
32x800CM 2/5
马赛克作为数字图像处理方法使媒体背后那只"看不见的手"串了帮.而戴着马赛克面具的人的生活则试图论证生活的虚拟性.它也对面具的意义反唇相讥:面具的虚伪性必得以依附于某种具体的真面目,而马赛克面具是一种不攻自破的谎言,因此它和诗具有某种相似性.
The digital processing of mosaic reveal the “hidden hands” conceived behind media. A man’s face with a mosaic mask shows that life is fictitious. The mosaic mask negates and satirizes the meaning of a mask for the mask’s fraudulence must be based on the individual’s real concrete appearance, but the mosaic mask is a lie that collapses by itself, sharing similarity with poem in this way.
