2024年5月14日
老灵魂Old Souls
邱志杰为《老灵魂》展览所写的自序,从1986年在厦门看到厦门达达,到鼓浪屿求学、榕树、气根、儿童诗歌、王羲之、苏轼、李白、杜甫、黄永砯等进入身体的多重记忆,说明“你身上活着很多人”。Qiu Zhijie's preface for the exhibition Old Souls, moving from seeing Xiamen Dada in 1986 to his studies on Gulangyu, banyan trees, aerial roots, children's poetry, and the many older voices that live within one body.
邱志杰
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2024年7月9日
你是明月——《老灵魂》的生命观You Are the Bright Moon
一篇围绕《老灵魂》展览展开的评论文章,从“远道归乡”“赋”“比”“兴”几个角度,把地图、诗歌、雨、书写、合体字、转盘和明月联系起来,讨论《老灵魂》中的生命观。Su Wei's review of Old Souls, reading maps, poems, rain, writing, composite characters, rotating discs, and the moon as a worldview of return, resonance, and layered life.
苏薇
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2024
邱志杰专访:厦门,达达之后Xiamen, After Dada
围绕鼓浪屿个展《老灵魂》展开的访谈,讨论黄永砯与厦门达达、福建艺术生态、城市更新、社会现场、闽籍艺术家、代际、文字、诗歌与当代艺术之间的关系。An interview around Old Souls, Xiamen Dada, Huang Yong Ping, Fujian's art ecology, urban renewal, public sites, regional identity, generations, language, poetry, and contemporary art.
董晓葳采访/撰文
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